Clueless

Alicia Silverstone was born on October 4, 1976 in San Francisco, California, the youngest of three children. She is the daughter of Didi (Radford), a former flight attendant, and Monty Silverstone, a real estate investor. Her English-born father is from a Jewish family, while her Scottish-born mother converted to Judaism. Alicia's career began at the tender age of six, when her father took some photos of his young daughter, which eventually led to her getting several television commercials. After a guest spot on The Wonder Years (1988) as a literal "dream girl", she moved on to movies. She landed a role in The Crush (1993), a sort of Fatal Attraction (1987) for teenagers in which she portrayed a disturbed young girl obsessed with an older man. The nasty little role did not impress the critical establishment but it wowed its target audience: teenagers. In fact, the role won her the 1994 MTV Movie Award for "Best Villain" and "Breakthrough Performance". It is interesting to note that during the filming of the movie, Alicia became an emancipated minor in order to get around child labor laws which would have interfered with her working hours. She was a dedicated actress from early on. The film also caught the attention of Aerosmith, who hired her to appear in a string of their music videos. The first of them, "Cryin'", was voted the #1 video of all time on MTV. Silverstone was definitely a hit with the MTV crowd, but larger commercial success still eluded her. That all changed when she landed the role of Cher in Amy Heckerling's Clueless (1995). Cher was the antithesis of Alicia's role in The Crush; this time around, she was a rich, naive yet endearing girl from Beverly Hills in search of love in the 1990s. The film was a huge box-office hit and wowed both audiences and critics alike and demonstrated Alicia's strength and bankability. She was hailed as the woman of the hour, and branded the spokeswoman for an emerging young generation. She signed a deal with Columbia TriStar worth $10 million and got the coveted role of Batgirl in the Batman franchise. Also, as part of the package, she received a three-year first-look deal for her own production company, First Kiss Productions. The first film released by First Kiss was Excess Baggage (1997).

American character actor and writer Wallace Shawn has one of those fun, mischievously homely faces just made to entertain. Though he got out of the starting gate rather slowly, he has since excelled on stage, television and film while managing to turn himself into a winner with his loser-type looks. Woody Allen's character in the movie Manhattan (1979) amusingly describes Wallace's character as "a homunculus", which is a pretty fair description of this predominantly bald, wan, pucker-mouthed, butterball-framed, slightly lisping gent. Wallace made his movie debut in Allen's heralded classic playing Diane Keaton's ex-husband. Born to privilege on November 12, 1943 in New York City, Wallace is the son of Cecille (Lyon), a journalist, and William Shawn, renowned and long-time editor of The New Yorker. His brother is composer Allen Shawn. He was educated at both Harvard University, where he studied history, and Magdalen College, Oxford. Wallace initially taught English in India on a Fulbright scholarship, and then English, Latin and drama back in New York. However, a keen interest in writing and acting soon compelled him to leave his cushy position and pursue a stage career as both playwright and actor. During his distinguished career, Wallace turned out several plays. "Our Late Night", the first of his works to be performed, was awarded an off-Broadway Obie in 1975. "A Thought in Three Parts" (1976); "The Mandrake" (1977), which he translated from the original Italian and in which he made his acting debut; "Marie and Bruce" (1979); "Aunt Dan and Lemon" (1985) and "The Fever", for which he received his second Obie Award for "Best New Play" during the 1990-91 season, then followed. A popular support player in both comedy and occasional drama, his assorted kooks, creeps, eggheads and schmucks possessed both endearing and unappetizing qualities. He earned some of his best early notices partnered with theatre director/actor Andre Gregory in the unique Louis Malle-directed film My Dinner with Andre (1981). Shawn co-wrote the improvisatory, humanistic piece and his brother, Allen Shawn, was the composer. Shawn and Gregory would collaborate again for Malle in another superb, original-concept film Vanya on 42nd Street (1994). Among the quality offbeat filming involving has been Bruce Paltrow's A Little Sex (1982); James Ivory's The Bostonians (1984); Stephen Frears' Prick Up Your Ears (1987); Rob Reiner's The Princess Bride (1987); Alan Rudolph's The Moderns (1988) and Mrs. Parker and the Vicious Circle (1994); Paul Bartel's Scenes from the Class Struggle in Beverly Hills (1989); and several others for Woody Allen: Radio Days (1987), Shadows and Fog (1991), The Curse of the Jade Scorpion (2001) and Melinda and Melinda (2004). Since the 1990s, he has lent his vocal talents to a considerable number of animated pictures including A Goofy Movie (1995), Toy Story (1995) (and its sequel), The Jungle Book: Mowgli's Story (1998), The Incredibles (2004), Chicken Little (2005) and Happily N'Ever After (2006). Over the decades, Shawn has scurried about effortlessly in a number of television guest appearances including Taxi (1978), Homicide: Life on the Street (1993), Ally McBeal (1997), Law & Order: Criminal Intent (2001) and Desperate Housewives (2004), and has drummed up a few recurring roles for himself in the process, including The Cosby Show (1984), Murphy Brown (1988), Star Trek: Deep Space Nine (1993) and Crossing Jordan (2001). In the series Clueless (1996), based on the highly successful of the same name Clueless (1995), Shawn revisited his role as the owlish high school teacher.