Jackie

Natalie Portman is the first person born in the 1980s to have won the Academy Award for Best Actress (for Black Swan (2010)). Natalie was born Natalie Hershlag on June 9, 1981, in Jerusalem, Israel. She is the only child of Avner Hershlag, a Israeli-born doctor, and Shelley Stevens, an American-born artist (from Cincinnati, Ohio), who also acts as Natalie's agent. Her parents are both of Ashkenazi Jewish descent. Natalie's family left Israel for Washington, D.C., when she was still very young. After a few more moves, her family finally settled in New York, where she still lives to this day. She graduated with honors, and her academic achievements allowed her to attend Harvard University. She was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Léon: The Professional (1994) (aka "Léon"). Following this role Natalie won roles in such films as Heat (1995), Beautiful Girls (1996), and Mars Attacks! (1996). It was not until 1999 that Natalie received worldwide fame as Queen Amidala in the highly anticipated US$431 million-grossing prequel Star Wars: Episode I - The Phantom Menace (1999). She then she starred in two critically acclaimed comedy dramas, Anywhere But Here (1999) and Where the Heart Is (2000), followed by Closer (2004), for which she received an Oscar nomination. She reprised her role as Padme Amidala in the last two episodes of the Star Wars prequel trilogy: Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). She received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010). She received a second nomination for Best Actress, for playing Jacqueline Kennedy in Jackie (2016).

Known as much for his rigorous career choices as for his talent and chiseled good looks, Billy Crudup has been straddling the line between serious actor and "it" leading man for several years. Crudup was born in 1968 in Manhasset, New York (a Long Island suburb), the middle child in a family of three boys. He is the son of Georgann (Gaither) and Thomas Henry Crudup III, and the grandson of prominent attorney William Cotter "Billy" Gaither, Jr. Crudup was raised in Florida and Texas. His family frequently moved and always being the new kid meant Billy had to develop some way of gaining acceptance. Being the class clown was his ticket in. He found roles in school pageants and developed funny impersonations to entertain family and friends. He received his undergraduate degree from the University of North Carolina (where he confirmed his interest in acting). Upon graduation, Crudup headed to NYC to live with his brother Tommy (who was at that time a publicist) and study at New York University, where he joined a theatre troupe called "the lab!" and did little plays and musicals - he even played "Schroeder" in the famed children's musical "You're A Good Man Charlie Brown!". He then went on to earn a Master of Fine Arts from the Tisch School of the Arts at NY in 1994. A year later, he'd already made a name for himself on Broadway, earning the Outer Critics Circle Outstanding Newcomer Award for his performance in Tom Stoppard's "Arcadia". Crudup's first big-screen acting gig was in the indie film Grind (1997), which was shot in 1994, but ended up on the shelf for three years. In 1996, he landed another, more lucrative role, opposite Hollywood hotshots Brad Pitt and Jason Patric in the Barry Levinson drama, Sleepers (1996). He followed that up with a brief appearance in Woody Allen's Everyone Says I Love You (1996) and a higher-profile turn as the rakish older brother in Inventing the Abbotts (1997). A self-described student of human nature, Crudup has said that he looks for characters wrestling with their mistakes. Rumor has it that he declined an audition for the lead in Titanic (1997) in order to seek out more challenging projects--like the "Steve Prefontaine" biopic Without Limits (1998). "Limits" showcased Crudup's ability to completely transform himself for a role (a quality that would help him skirt stardom while continuing to land substantive parts). In 2000, with three major films in release, Crudup's already bustling movie career reached a fever pitch. He first hit the festival circuit in Keith Gordon's Waking the Dead (2000), the tale of an up-and-coming politician who is haunted by the death of his young wife. Next came the art-house favorite Jesus' Son (1999). Finally, he starred as the semi-fictional '70s rocker "Russell Hammond" in Cameron Crowe's much-lauded Almost Famous (2000). In 2002, his production of "The Elephant Man" on Broadway closed after 65 performances, due to low ticket sales. Crudup lives in New York and returns regularly to the stage - in fact, it was during the 1996 Broadway run of "Bus Stop" that he began his romance with longtime girlfriend, Mary-Louise Parker. That romance ended in 2004, when Crudup left the then-pregnant Parker for his Stage Beauty (2004) co-star, Claire Danes. He seems to prefer quiet anonymity to the pomp and circumstance of the movie star lifestyle, but his ever-growing popularity guarantees that he won't be able to avoid the spotlight altogether.

Greta Gerwig is an American actress, playwright, screenwriter, and director. She has collaborated with Noah Baumbach on several films, including Greenberg (2010), Frances Ha (2012), for which she earned a Golden Globe nomination, and Mistress America (2015). Gerwig made her solo directorial debut with the critically acclaimed comedy-drama film Lady Bird (2017), which she also wrote, and has also had starring roles in the films Damsels in Distress (2011), Jackie (2016), and 20th Century Women (2016). Greta Celeste Gerwig was born in Sacramento, California, to Christine Gerwig (née Sauer), a nurse, and Gordon Gerwig, a financial consultant and computer programmer. She has German, Irish, and English ancestry. Gerwig was raised as a Unitarian Universalist, but also attended an all-girls Catholic school. She has described herself as "an intense child". With an early interest in dance, she intended to get a degree in musical theatre in New York. She graduated from Barnard College in NY, where she studied English and philosophy, instead. Originally intending to become a playwright, after meeting young film director Joe Swanberg, she became the star of a series of intellectual low budget movies made by first-time filmmakers, a trend dubbed "mumblecore". Gerwig was cast in a minor role in Swanberg's LOL (2006) in 2006, while still studying at Barnard. She then appeared in many of Swanberg's films, and personally co-directed, co-wrote and co-produced one entitled Nights and Weekends (2008). She has worked with good quality directors such as Ti West (The House of the Devil (2009)), Whit Stillman (Damsels in Distress (2011)), or Woody Allen (To Rome with Love (2012)) but success and (international) recognition did not come until Frances Ha (2012), directed by Noah Baumbach, a film she also co-wrote. Both tall and immature, awkward and graceful, blundering and candid, annoying and engaging, Greta has won all hearts in the title role of Frances Ha(liday). In 2017, she wrote and directed the highly acclaimed, semi-autobiographical teen movie Lady Bird (2017), set in 2002-2003, and starring Saoirse Ronan, Laurie Metcalf, and Timothée Chalamet. In 2011, Gerwig received an award for Acting from the Athena Film Festival for her artistry as one of Hollywood's definitive screen actresses of her generation.

One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting. Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville; the title role in "Hamp" at the Edinburgh Festival; "Inadmissible Evidence" at Wyndham's; and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967). A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969)," Peter in "Ride a Cock Horse (1972), Mike in '"The Caretaker" (1972), and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968); the title highwayman in Sinful Davey (1969); a morose little brother in In Search of Gregory (1969); a dim, murderous truck driver in 10 Rillington Place (1971); a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971); the unappetizing son of a baron in The Pied Piper (1972); and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974). Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979). A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Beyond the Gates (2005). Latter parts included the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull," "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape," the latter for which he received the Los Angeles Drama Critics Circle Award." A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment." Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.

John Carroll Lynch was born August 1, 1963 in Boulder, Colorado, and was raised in Denver. It was there John found a passion for acting and became a Denver Broncos fan. He graduated in the mid-80s with a B.F.A. in theatre from the The Catholic University of America / Hartke Theatre Acting program. From then, he continued to work in theatre around the country, but concentrated mostly on his work at the Guthrie Theater in Minneapolis, acting in many plays from Shakespeare to Shaw to Chekhov. In the early nineties, John was able to find time away from the theatre to work in film, as productions came through Minnesota. In 1996, he received critical acclaim for his role as Marge Gunderson's simple husband Norm Gunderson in Fargo (1996). He went on to make two more films that year, both of which were conveniently set in Minnesota, the acclaimed Beautiful Girls (1996) and Feeling Minnesota (1996). Since then, John's film career has been on an amazing climb. Much like other well respected actors from the theatre, such as John Malkovich and Gary Sinise, he chooses to play very interesting and diverse roles.