Midnight in Paris

Self-proclaimed troublemaker Owen Cunningham Wilson was born in Dallas, to Irish-American parents originally from Massachusetts. He grew up in Texas with his mother, Laura (Cunningham), a photographer; his father, Robert Andrew Wilson, an ad exec; and his brothers, Andrew Wilson (the eldest) and Luke Wilson (the youngest). Expelled from St. Mark's School of Texas (Dallas, TX) in the tenth grade, Wilson finished his sophomore year at Thomas Jefferson School and then headed to a military academy in New Mexico. He then attended the University of Texas at Austin, where he met his future mentor and friend, Wes Anderson. They wrote a screenplay, Bottle Rocket (1996), and sent it to their family friend, screenwriter L.M. Kit Carson, who sent it to producer Polly Platt, who gave it to James L. Brooks, who gave the Texans $5 million to make it into a feature film. Despite critical praise, Bottle Rocket (1996) only grossed one million dollars. After making the film, Wilson moved to Hollywood, setting up house with his two brothers and Anderson. Fairly quickly, Owen found himself acting in a series of big budget films, such as The Cable Guy (1996), The Haunting (1999), Anaconda (1997) and Breakfast of Champions (1999). This led to more work, such as Shanghai Noon (2000), Meet the Parents (2000) and Behind Enemy Lines (2001). He's known not only for his nose, which has been broken several times, but also for his 'free wheeling ways' with a script. He co-wrote the film The Royal Tenenbaums (2001) with his oft partner Wes Anderson.

Rachel Anne McAdams was born on November 17, 1978 in London, Ontario, Canada, to Sandra Kay (Gale), a nurse, and Lance Frederick McAdams, a truck driver and furniture mover. She is of English, Welsh, Irish, and Scottish descent. Rachel became involved with acting as a teenager and by the age of 13 was performing in Shakespearean productions in summer theater camp; she went on to graduate with honors with a BFA degree in Theater from York University. After her debut in an episode of Disney's The Famous Jett Jackson (1998), she co-starred in the Canadian TV series Slings and Arrows (2003), a comedy-drama about the trials and travails of a Shakespearean theater group, and won a Gemini award for her performance in 2003. Her breakout role as Regina George in the hit comedy Mean Girls (2004) instantly catapulted her onto the short list of Hollywood's hottest young actresses. She followed that film with a star turn opposite Ryan Gosling in the adaptation of the Nicholas Sparks bestseller The Notebook (2004), which was a surprise box office success and became the predominant romantic drama for a new, young generation of moviegoers. After filming, McAdams and Gosling became romantically involved and dated through mid-2007. McAdams next showcased her versatility onscreen with the manic comedy Wedding Crashers (2005), the thriller Red Eye (2005), and the holiday drama The Family Stone (2005). McAdams then explored the independent film world with Married Life (2007), which premiered at the Toronto Film Festival and also starred Pierce Brosnan, Chris Cooper and Patricia Clarkson. Starring roles in the military drama The Lucky Ones (2008), the newspaper thriller State of Play (2009), and the romance The Time Traveler's Wife (2009) followed before she starred opposite Robert Downey Jr. and Jude Law in Guy Ritchie's international blockbuster Sherlock Holmes (2009). McAdams played the plucky producer of a failing morning TV show in Morning Glory (2010), the materialistic fiancée of Owen Wilson in Woody Allen's Midnight in Paris (2011), and returned to romantic drama territory with the hit film The Vow (2012) opposite Channing Tatum. The actress also stars with Ben Affleck in Terrence Malick's To the Wonder (2012) and alongside Noomi Rapace in Brian De Palma's thriller Passion (2012). In 2005, McAdams received ShoWest's "Supporting Actress of the Year" Award as well as the "Breakthrough Actress of the Year" at the Hollywood Film Awards. In 2009, she was awarded with ShoWest's "Female Star of the Year." As of 2011, she has been romantically linked with her Midnight in Paris (2011) co-star Michael Sheen.

Multi-talented Kathleen Doyle Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor. Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award. By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981. Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old. Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull and was hardly a strong consideration when the roles finally went to film. Kathy Bates was forever losing out when her award-winning stage characters transferred to the screen. First Sissy Spacek took on her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice. It was her fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were pure box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991. Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998) and her quirky, liberal mom in About Schmidt (2002), receiving "Best Supporting Actress" nominations for both. She also turned in a somewhat brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011). Kathy has continued to work prolifically on TV as a multiple Emmy winner and nominee. She has also taken to directing a couple of TV-movies on the sly. She was nominated for a DGA award after helming an episode of "Six Feet Under," in which she also had a recurring role. While some of her more recent movie parts have been unworthy of her talents, she has more than made up for it on TV playing everything from cruel-minded caricatures (Little Orphan Annie's Miss Hannigan) to common, decent every day folk in mini-movies. More recently she has done some eye-catching, offbeat turns on regular series such as The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. Divorced from her husband since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.

Academy Award-winning actress Marion Cotillard was born on September 30, 1975 in Paris. Cotillard is the daughter of Jean-Claude Cotillard, an actor, playwright and director, and Niseema Theillaud, an actress and drama teacher. Her father's family is Breton. Raised in Orléans, France, she made her acting debut as a child with a role in one of her father's plays. She studied drama at the Conservatoire d'Art Dramatique in Orléans. After small appearances and performances in theater, Cotillard had occasional and minor roles in TV series such as Highlander (1992) and Extrême limite (1994), but her career as a film actress began in the mid-1990s. While still a teenager, Cotillard made her cinema debut at the age of 18 in the film L'histoire du garçon qui voulait qu'on l'embrasse (1994), and had small but noticeable roles in films such as Arnaud Desplechin's My Sex Life... or How I Got Into an Argument (1996) and Coline Serreau's comedy La belle verte (1996). In 1996, she had her first lead role in the TV film Chloé (1996), playing the title role - a teenage runaway who is forced into prostitution. Cotillard co-starred opposite Anna Karina, the muse of the Nouvelle Vague. In 1997, she won her first film award at the Festival Rencontres Cinématographiques d'Istres in France, for her performance as the young imprisoned Nathalie in the short film Affaire classée (1997). Her first prominent screen role was Lilly Bertineau in Gérard Pirès's box-office hit Taxi (1998), a role which she reprised in two sequels: Taxi 2 (2000) and Taxi 3 (2003), this role earned her first César award nomination (France's equivalent to the Oscar) for Most Promising Actress in 1999. In 1999, Cotillard starred as Julie Bonzon in the Swiss war drama War in the Highlands (1998). For her performance in the film, she won the Best Actress award at the Autrans Film Festival in France. In 2001, Marion starred in Pretty Things (2001) as the twin sisters Marie and Lucie, and was nominated for her second César award for Most Promising Actress. Cotillard's breakthrough in France came in 2003, when she starred in Yann Samuell's dark romantic comedy Love Me If You Dare (2003), in which she played Sophie Kowalsky, the daughter of Polish immigrants who lives a love-hate relationship with her childhood friend. The film was a box-office hit in France, became a cult film abroad and led Cotillard to bigger projects. Her first Hollywood movie was Tim Burton's Big Fish (2003), in which she played Joséphine, the wife of William Bloom (played by Billy Crudup). A few years later, Marion starred in Ridley Scott's A Good Year (2006) playing Fanny Chenal, a French café owner who falls in love with Russell Crowe's character. In 2004, she won the Chopard Thophy of Female Revelation at the Cannes Film Festival. In 2005, Cotillard won the César award for Best Supporting Actress for her performance of Tina Lombardi in Jean-Pierre Jeunet's A Very Long Engagement (2004). In 2007, Cotillard received international recognition for her iconic portrayal of Édith Piaf in La Vie en Rose (2007). Director Olivier Dahan cast Cotillard to play the legendary French singer because to him, her eyes were like those of "Piaf". The fact that she can sing also helped Cotillard land the role of "Piaf", although most of the singing in the film is that of Piaf's. The role won Cotillard the Academy Award for Best Actress along with a César, a Lumière Award, a BAFTA Award, and a Golden Globe. That made her only the second actress to win an acting Oscar performing in a language other than English next to Sophia Loren (Two Women (1960)). Only two male performers (Roberto Benigni for Life Is Beautiful (1997) and Robert De Niro for The Godfather: Part II (1974)) have won an Oscar for solely non-English parts. Trevor Nunn called her portrayal of "Piaf" "one of the greatest performances on film ever". At the Berlin International Film Festival, where the film premiered, Cotillard was given a 15-minute standing ovation. When she won the César, Alain Delon presented the award and announced the winner as "La Môme Marion" (The Kid Marion), he also praised her at the stage saying: "Marion, I give you this César. I think this César is for a great great actress, and I know what I'm talking about". Cotillard has worked much more frequently in English-language movies following her Academy Award recognition. In 2009, she acted opposite Johnny Depp in Michael Mann's Public Enemies (2009), and later that year played Luisa Contini in Rob Marshall's musical Nine (2009) and received a Golden Globe nomination for her performance. Time magazine ranked her as the fifth best performance by a female in 2009. The following year, she took on the main antagonist role, Mal, in Christopher Nolan's Inception (2010), and in 2011 she had memorable parts in Midnight in Paris (2011) and Contagion (2011) and reteamed with Christopher Nolan in The Dark Knight Rises (2012). In 2011 and 2012 respectively, Cotillard appeared on the top of Le Figaro's list of the highest paid actors in France, it was the first time in nine years that a female topped the list. Cotillard was also the highest paid foreign actress in Hollywood. In 2012, Cotillard received wide-spread critical acclaim for her role as the legless orca trainer Stéphanie in Rust and Bone (2012). The film was a box office hit in France and received a ten-minute standing ovation at the end of its screening at the 65th Cannes Film Festival. Cotillard won the Globe de Cristal (France's equivalent to the Golden Globe), the Étoile d'Or award and was nominated for the Golden Globes, SAG, BAFTA, Critics' Choice and César Awards for her performance in the film. Cate Blanchett wrote an op-ed for Variety praising Cotillard's performance in "Rust and Bone", the two actresses competed for the Academy Awards for Best Actress in 2008, Cate was nominated for her performance in Elizabeth: The Golden Age (2007) and Marion for her performance in La Vie en Rose (2007) and Cotillard won the Oscar. She had her first leading role in an American movie in 2013, in James Gray's The Immigrant (2013), in which she played Ewa Cybulska, a Polish immigrant who wants to experience the American dream. Cotillard received wide-spread acclaim for her performance in the film at the 66th Cannes Film Festival, where the film premiered, and also won several critics awards. In 2014, Cotillard played Sandra in the Belgian film Two Days, One Night (2014) by the Dardenne brothers. Her performance was unanimously praised at the 67th Cannes Film Festival, earned several critics awards, Cotillard won her first European Award for Best Actress and also received her second Oscar nomination and her sixth César award nomination. In 2015, she played Lady Macbeth opposite Michael Fassbender in Justin Kurzel's Macbeth (2015) and voiced two animated movies: The Little Prince (2015) in which she voiced The Rose, and April and the Extraordinary World (2015), in which she voiced the lead role, Avril. Her 2016 included Nicole Garcia's From the Land of the Moon (2016), Xavier Dolan's It's Only the End of the World (2016), Justin Kurzel's Assassin's Creed (2016), in which she worked again with her Macbeth co-star Michael Fassbender; and Robert Zemeckis's Allied (2016), with Brad Pitt.

Even though he had burned up the London stage for nearly a decade--and appeared in several films--Michael Sheen was not really "discovered" by American audiences until his critically-acclaimed turn as Wolfgang Amadeus Mozart in the 1999 Broadway revival of "Amadeus". Sheen was born in Newport, Wales, the only son of Irene (Thomas) and Meyrick Sheen. The charming, curly-haired actor grew up a middle-class boy in the working-class town of Port Talbot, Wales. Although his parents worked in personnel, they shared with their son a deep appreciation for acting, with Meyrick Sheen enjoying some success later in life as a Jack Nicholson impersonator. As a young man, Michael Sheen turned down the opportunity to pursue a possible professional football career, opting to follow in the footsteps of Daniel Day-Lewis and Patrick Stewart by attending the Bristol Old Vic Theatre School instead of university. In his second year, he won the coveted Laurence Olivier Bursary for consistently outstanding performances. While Sheen was still studying, he landed a pivotal role opposite stage legend Vanessa Redgrave in Martin Sherman's "When She Danced" (1991). He left school early to make his West End debut and has been dazzling audiences and critics with his intense and passionate performances ever since. Among his most memorable roles were "Romeo" in "Romeo and Juliet", the title role in Yukio Ninagawa's 1994 Royal Shakespeare Company's staging of "Peer Gynt" and "Jimmy Porter" both in a 1994 regional staging in a 1999 London revival of "Look Back in Anger". A critic from the London Times panned the multimedia production of "Peer Gynt", but praised Sheen for his ability to express "astonishing vitality despite lifeless direction". Referring to Sheen's performance in "Look Back in Anger", Susannah Clapp of The Observer hailed him for his "luminous quality" and ability to be goaded and fiery and defensive all at the same time. Sheen also managed to set critics' tongues wagging with a deft performance in the role of "Henry V", not a part traditionally given to a slight, boyish-looking actor. One writer raved: "Sheen, volatile and responsive in an excellent performance, showed us the exhilaration of power and conquest". In 1993, Sheen joined the troupe "Cheek By Jowl" and was nominated for the Ian Charleson Award for his performance in "Don't Fool with Love". That same year, he excelled as a mentally unstable man who becomes enmeshed in a kidnapping plot in Mystery!: Gallowglass (1993), a three-part BBC serial that aired in the USA on PBS' "Mystery!" in 1995. The actor nabbed his first feature film role in 1994, playing Dr. Jekyll's footman in Mary Reilly (1996) opposite John Malkovich and Julia Roberts, but that film did not make it into theaters until 1996, a year after Sheen's second movie, Othello (1995), was filmed and released. Perhaps his most memorable big screen role at that point, however, was "Robert Ross", Oscar Wilde's erstwhile lover, in the 1997 biopic Wilde (1997). He would also be seen in the Brit road film Heartlands (2002) opposite Mark Addy. Hot off the success of "Amadeus", Sheen began racking up even more notable big screen credits, starring opposite Heath Ledger, Wes Bentley and Kate Hudson in The Four Feathers (2002) and landing a major role opposite Kate Beckinsale in the action-horror blockbuster Underworld (2003), along with supporting turns in Bright Young Things (2003), Timeline (2003) and as British Prime Minister Tony Blair in director Stephen Frears' film The Queen (2006). Next, Sheen grabbed good notices played a divorce-embattled rock star, stealing scenes from Pierce Brosnan and Julianne Moore in the romantic comedy Laws of Attraction (2004). Back on the stage, the actor earned raves for his performance as "Caligula" in London, for which he won the Evening Standard Award and Critics Circle Award for Best Actor, along with a nomination for the prestigious Laurence Olivier Award.